PERFORMANCES
Hudson River Harvest Series 2023
Concerts in homes and barns in the Hudson Valley
Saturdays at 2:30 PM
September 23 (SOLD OUT), October 14, November 11, 2023
As we enter Summertime, I think of the beauty of our Hudson Valley in the Fall. Do you wonder how anyone would look elsewhere when the corn and tomatoes are delicious, the leaves splendid, and the weather gentle? Yet…there is always Paris. “We will always have Paris,” as Rick reminds us in Casablanca! In every century, no matter where the homeland, there was always Paris shimmering in elegance and style, high culture, and the most delicious meals awaiting our arrival. And so, our theme this season comes from that old vaudeville song, “How ya gonna keep 'em down on the farm after they've seen Paree.”
To keep you in our fields, we have a series of concerts bringing the paté de Paris to your table garnished with the musical fruits of Leipzig, London, and Madrid.
A limited number of subscriptions are sold out.
AVOID online service fees!
Four Nations must cover fees for your charges online. If you wish to avoid these fees, mail a completed ticket form and personal checks payable to Four Nations Inc.
Four Concerts in New York City 2024
Church of the Holy Trinity
Thursdays at 7:30 PM
February 29, March 21, April 25, May 30, 2024
Concert 1. Corelli charted a path for generations of composers who used his solo and trio sonatas as models. Couperin, Bach, Handel, Telemann, were in so many ways his followers.
Concert 2. Bach whose works suffered general obscurity did have students who admired and recognized his genius. To celebrate his birthday we devote the evening to his sonatas and arias, profoundly moving and always representative of the best composition.
Concert 3. An evening in a time machine, in Proust’s time machine! We devote our April concert to the elegance of Watteau and La Fontaine as they were rediscovered and revered by Proust and Debussy.
Concert 4. Finally, the city and legacy of Naples, an artistic and intellectual capital so undervalued today allows Four Nations a spectacular final program with an overabundance of lyricism in balance with the bright virtuosity of the trumpet.
ENJOY A PRE-CONCERT DINNER at CAFÉ d'ALSACE
Show your ticket to the concert and receive a 10% reduction on your meal and enjoy beautifully prepared Alsatian food only steps away from the concert. For reservations and a preview of the menus and service: http://cafedalsace.com
AVOID online service fees!
Four Nations must cover fees for your charges online. If you wish to avoid these fees, mail a completed ticket form and personal checks payable to Four Nations Inc.
The Culture of the Parisian Salon, Proust and La Fontaine
Debussy, Ravel, Proust, and Renoir were besotted with the legacy of Rameau, Couperin, Watteau and Fragonard. With our inspiring guests Mark Steinberg and Anton Nel and the exquisite tenor Aaron Sheehan, we create mirror images from the Salons of the early 18th and the late 19th century with harpsichord and piano works of Debussy and Rameau, songs of Rinaldo Hahn and Henri Duparc, and the passionate Sonata for violin and piano of Cesar Franck.
The Performers
Aaron Sheehan, tenor
Mark Steinberg, violin
Anton Nel, piano
Andrew Appel, harpsichord
The Program
Songs of Hahn, Duparc, Debussy & Lambert
Keyboard evocations of Debussy, Ravel, Couperin & Rameau
Franck, Sonata for violin & piano
The School of Naples
No center of art and thought is so undervalued as Naples. Yet, for musicians, it is the engine of brilliant composition, singing, and instrumental performance with its conservatories and public institutions of music. This program will change your mind about this vibrant, disturbing, thrilling city.
The Performers
Pascale Beaudin, soprano
Steven Marquardt, trumpet
Olivier Brault & Evan Few, violin
Nicole Divall, viola
Loretta O’Sullivan, cello
Anne Trout, violone
Scott Pauley, lute
Andrew Appel, harpsichord
The Program
Handel, Eternal Source of Light Divine
A. Scarlatti, Sinfonia Il Giardino d"Amore
Porpora, Concerto V a 3 in E minor, Opus 2
Fiorenza, Concerto for cello in F major
A. Scarlatti, Su le sponde del Tebro
The Schooling of Bach
The School of Bach
A concert on Bach's Birthday
Sonatas, Suites, Arias
The Performers
Pascale Beaudin, soprano
Charles Brink, flute
Olivier Brault, violin
Loretta O’Sullivan, cello
Andrew Appel, harpsichord
The Program
Prelude and Fugue in G major WTC Book 2
Aria BWV 57 #7 Ich ende behende
Sonata for flute and harpsichord in B minor
Suite for cello
J. S. Bach BWV 249 # 5 Seele, deine Spezereien
Sonata for violin and harpsichord in G major
The School of Corelli
New Year's Day 1700, and Corelli publishes his opus 5 sonatas, possibly the most influential collection of sonatas in music history. Every composer in every country followed his lead and used his trios and solos as models for their own work. The program explores the large reach and varied responses to the Italian sonata as charted by Corelli.
The Performers
Pascale Beaudin, soprano
Olivier Brault & Chloe Fedor, violin
Loretta O’Sullivan, cello
Scott Pauley, lute
Andrew Appel, harpsichord
The Program
Corelli, Sonata da camera for violin
Geminiani, sonata for cello
Couperin, Apothéose de Corelli
Handel, Sonata for violin in D major
Caldara, Cantata and Ciaconna
Locatelli, Trio sonata Opus 8
PARIS & MADRID
Tales of Two Cities: Paris and Madrid
There is nothing more sparkling than two harpsichords, and Four Nations is thrilled to invite the brilliant harpsichordist Frederick Haas to join director Andrew Appel in a program that runs the exquisite to the savage, from the tender gavotte to the screaming joy of the Fandango.
Concert and reception: $100
Won Dharma Center
Claverack, NY
Frederick Haas, harpsichord
Andrew Appel, harpsichord
François Couperin
Jean-Philippe Rameau
Pieces for two harpsichords
Sonatas, Musettes & Chaconnes
Domenico Scarlatti
Sonatas
Luigi Boccherini
Fandango for two harpsichords
Spain has been a tempest of inspiration and horrors for French artists over the centuries. Manet, Debussy, and Bizet all flourished with Spanish sights and sounds, yet the greatest 18th-century Spanish composers (Scarlatti and Boccherini) were expatriates from Italy. The Spanish kings were insane, and their courts and societies reflected their extreme behaviors and delusions. These same abnormalities created thrilling music.
Frederick Haas, one of my most revered colleagues, will fly to our fields and farms from France and join me in a program of music for two keyboards. He is a most elegant player of French music, and we will play the works for two instruments by Couperin and Rameau. In my mind, his Scarlatti is unsurpassed, and in Spanish mode, he will delight you with solo sonatas. Together we end the program with Boccherini’s fiery Fandango.
The season's final concert will take place at the Won Dharma meditation hall, with perfect sound and views over the Catskills and 400 acres of conserved fields and forests.
PARIS & LONDON
Tales of Two Cities: Paris and London
In this program, Ensemble members Pascale Beaudin, Loretta O'Sullivan, and Andrew Appel are joined by viola da gambist Beiliang Zhu, lute player Scott Pauley, and flautist David Ross for a program of songs and suites from the worlds of Shakespeare, Sheridan, Racine, and Voltaire!
Concert & Reception: $100
19th Century Apple Barn
Lindsay & Brian Shea, hosts
Germantown, NY
Pascale Beaudin, soprano
David Ross, flute
Beiliang Zhu, viola da gamba
Loretta O'Sullivan, cello
Scott Pauley, lute
Andrew Appel, harpsichord
Shakespeare the theater
Lute songs of Morley, Campion, Arne
William Byrd & John Dowland
Lute and Virginal pieces
Lambert & Rameau
Airs de cours
François Couperin
Pieçes de viols--Second Suite
Morel
Chaconne for flute & violin
The English so enjoyed cobbling insults that always included FRENCH this or that! Yet, Elizabeth I, not an easy conquest, almost gave her heart to the prince known as Monsieur from Paris. Later on, the restoration of the monarchy after Cromwell was a French styled transformation. Yet, the theater of Shakespeare is sprawling, tumbling genius contrasting with the tragedy of Racine which is carved marble perfection. The Parisian air de cour is precious and tender while the London lute songs of Dowland and Morley are bawdy and overly emotional. This program is a real Tale of Two Cities.
PARIS & LEIPZIG
Tales of Cities: Paris and Leipzig
Pascale Beaudin, Charles Brink, Krista Feeney, Chloe Fedor, Nicole Divall, Patricia Halverson, Loretta O'Sullivan, and Andrew Appel complete the ensemble with Bach's B minor Ouverture for flute and strings, Brandenburg V, a sonata of J. M. Leclair, and arias by J. Ph. Rameau for an afternoon of German brilliance and French sensuality by the best of Paris and Leipzig.
Concert & Reception: $100
Silda Wall Spitzer and Erik Stangvik, hosts
Germantown, NY
Pascale Beaudin, soprano
Charles Brink, flute
Krista Bennion Feeney & Chloe Fedor, violin
Nicole Divall, viola
Loretta O'Sullivan, cello
Patricia Halverson, violone
Andrew Appel, harpsichord
J. S. Bach
Suite in B minor for flute & strings
Brandenburg V for flute, violin, harpsichord & strings
Jean-Marie Leclair
Sonata VIII in C major, Opus 9 for violin & continuo
Jean-Philippe Rameau
Arias
Temple Sacré
Vien Hymen
Frederick the Great collected paintings of Watteau and hired artists to imitate the Fete Galante. Voltaire was an honored guest at Sanssouci. German princes and paupers idolized and copied the French.
Bach adored French dances and learned their moves and forms as a young man in North Germany. His solo suites were inspired by 17th century Parisian harpsichordists whose works he copied and served as models for his allemandes, gavottes, etc. The flute suite in B minor is a masterwork of French-German art as our greatest German composer puts on courtly attire. The Brandenburg Concertos remind us that Italian music, also available to him, offered an equally powerful model. The limpid beauty of Rameau seduces us today yet Bach was not a fan. Did he find it frivolous? Was the music not sufficiently based in traditional counterpoint? Bach did not know Leclair’s powerful chaconne from the sonata on our program, a worthy companion to his own chaconne for solo violin.
Les Grands
Music by Couperin Le Grand and his colleagues Leclair, Barriere, Blavet, & Clérambault
Handel's players throw a birthday party
Sonatas by Handel's orchestra and arias from his London operas Castrucci, Heym, Bononcini & Handel
Five Parts and Foreign Influences
Music for strings by Muffat, J. C. F. Fischer, Brescianello & J. Chr. Bach
La Douceur de Vivre
Program
Sonata for violin & continuo, J. J. C. de Mondonville
Pieces de Clavecin, F. Couperin
L'Isle de Délos , L. N. Clérambault
TALENTED KIDS: the Bach Sons
Program
Sonata for two harpsichords in G major, J. C. Bach
Four Pieces for two harpsichords, C. P. E Bach
Concerto for two harpsichords in F major, W. F. Bach
Préludes and sonatas for violin & cello, J. S. Bach
LAST WORDS: Schubert & L. Couperin
Program
Pieces de Clavecin in F major, Louis Couperin
Quintet in C major, Franz Schubert
L’âme du clavecin/The soul of the harpsichord
Program
J. H. d'Anglebert (1629-91)
Pieces de Clavecin in D minor & Major
François Couperin (1668-1733)
Prelude 7 & Sixieme Ordre in B flat
London’s Public Gardens: Vauxhall
Program
Handel, J. C. Bach, Haydn, Chilcott, Battishill
The Roman Garden: Queen Christina’s Legacy in Rome
Program
Stradella, Corelli, Buononcini, Handel
Holiday Baroque: Vivaldi's Four Seasons
Program
Vivaldi: Concerto in E major for violin, Op. 8, No. 1, “Spring” de Montéclair: La Morte di Lucretia
Vivaldi: Concerto in F minor for violin, Op. 8, No. 4, “Winter”
Vivaldi: Concerto in G minor for violin, Op. 8, No. 2, “Summer”
Vivaldi: Concerto in F major for violin, Op. 8, No. 3, “Fall” J. S. Bach: Non sa che sia dolore, BWV 209
In French
PROGRAM
Handel: Sonata IV in G major for two violins and continuo Lambert: Airs de cours
Purcell: Fairest Isle and If Love’s a sweet passion
Telemann: Paris Quartet No. 5 in A major
Leclair: Second Recreation, Op. 8, No. 2
Handel: What passion cannot music raise, from Ode to St. Cecilia
THE SALON: A Tale of Two Cities
Program
Duo in A major, J. C. Bach
Sonata V in G minor for violin & harpsichord, L. Boccherini
Quartet for harpsichord & strings in E flat “April”, J. Schobert
Literary and sentimental songs
String Quartet in G Major, Opus 77 #1, F. J. Haydn
THE THEATRE
Program
Concert dans le goût théâtral, F. Couperin
Music for The Alchemist, G. F. Handel
The Old Batchelor, H. Purcell
Don Quixote, G. P. Telemann
THE CONCERT HALL: A Feast of Concertos - SOLD OUT
Program
What Passions can not music raise and quell, G. F. Handel Concerto in E major for violin & strings BWV 1042, J. S. Bach Concerto for viola & harpsichord in C major, M. Haydn
Gloria for soprano & strings, G.F. Handel
WHEN LOVE GOES WRONG: A Concert for Valentine's Day
Program
Francois Couperin: Le Dodo ou l’amour au berceau
Barbara Strozzi: Amor Dormiglione
George Frideric Handel: Credete al mio dolo
Michael Haydn: Andante, from Divertimento in C major
Jean-Paul Egide Martini: Plaisir d’Amour
Giuseppe Tartini: Sonata X, Op. 1 for violin and continuo, “Didone Abbandonata” (Dido Abandoned)
Antonio Vivaldi: Sonata IV in B-flat major, RV 45
Louis-Nicolas Clerambault: “Medea” Cantata for soprano and instruments
THE VIOLIN AT VERSAILLES
Program
Overture to Roland, J. B. Lully
Judith , cantata, E. J. de LaGuerre
Sonata L'Impromptu, L-N. Clerambault
Sonata III in D for violin & continuo, J. M. Leclair