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Charles Brink enjoys the chameleon-like Germans who pick and choose just so much of French and so much of Italian accents to create a hybrid style of Bachian brilliance and Telemann sensuality. |
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Sonata in e minor for flute and continuo |
W. F. Bach (1710-1784) |
| Quartet for flute, violin, cello and continuo in a minor Allegrement - Flatteusement - Legerement - Un peu vivemnet - Vite - Coulant |
G. Ph. Telemann (1681-1767) |
| Sonata for flute and continuo in G major Allegretto - Rondo (Presto) |
C. Ph. E. Bach (1714-1788) |
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Ouverture II for flute, strings and continuo (BWV 1067) |
J. S. Bach (1685-1750) |